NICK BRADSHAW: From Bambi (1942) to Babe (1995), Animal Farm (1954) to Zootropolis (2016), our films focused on animals have largely been a cinema of fabulist anthropomorphism – stories of humans in sheep’s (and wolves’) clothing, as it were. Yet lately, moved by a mix of curiosity, guilt, greater technological prowess and creativity, there has … Continue reading ‘In a way, it’s my apology to animals’: Victor Kossakovsky on his pig family portrait Gunda